Uniform set pricing · producer included
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There is no rate card. Every set costs the same, so what shapes the estimate is how you record.
WHY THERE IS NO RATE CARD
The scope comes before the number.
A rate card would price a show we have not met. Cadence, format, and what the production carries after the session vary enough that the real number needs a real scope.
Every set costs the same. The room you pick changes how the show looks, not what it costs.
Tell us three things and a producer builds the estimate around them:
- How often you plan to record
- Which city works for you
- What you want covered after the session
A producer replies — usually inside one business day. No mailing list, no drip campaign; your note goes straight to the production team.
WHAT MOVES THE SCOPE
The inputs a producer weighs.
Knowing which of these apply to your show is most of the estimate. Bring them to the form and the reply comes back specific.
Cadence and volume
More episodes a month means more studio days, more edit hours, and a standing calendar slot.
Session length
Holding the room longer, or banking several episodes in one sitting, moves the session plan.
Sets in a session
Using more than one set in a day adds a reset between blocks and more crew time on the floor.
Format, seats, and cameras
A solo to-camera segment and a full panel need different seating, mics, and camera coverage.
Live streaming
Going out live adds a stream path, live monitoring, and a comment plan on top of the record.
Remote guests
A guest calling in is captured to studio standard and cut in as a full angle on the day.
Edit and deliverables
An episode cut is one scope; episode plus cutdowns, show notes, and sponsor reads is another.
Distribution
Publishing to your platforms carries the show past approval; a file handoff stops at delivery.
One input is fixed: the set. Every room costs the same, so pick the one your show belongs in.
WHAT THE ESTIMATE SPELLS OUT
See the full production scope before you book.
The estimate names the room, what happens on set, and which production and distribution work is included. If your show needs something past that, ask the producer to itemize it before you commit.
- The room and session time selected for your format
- Producer-led planning and on-set support
- Camera, audio, lighting, and show-flow requirements
- The edit, branding, and distribution work carried after the session
AFTER YOU ASK
What happens next.
- 01
Send the form. Your note goes to the production team, not a mailing list.
- 02
A producer reads it and scopes the show, then replies — usually inside one business day.
- 03
You get an estimate that separates the included production from anything optional.
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